The man’s clothes have become much less obvious during the conversion, leaving the all-important connection between the boy and the frog front and center. I quickly settled on the Ilford XP2 Super 400 because it gave me a nice, fine grain as well as great contrast in the boy’s face and the man’s hand. Exposure nicely renders in real time the way that each preset will change your image while you hover over the preset thumbnail. In Exposure I began to look under the B&W tab at the standard film presets. I waited to do the latter two because different presets change the look of the image and I could make a more accurate adjustment after applying the preset.
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Finally, I needed to take the exposure down on the man’s hand a little as his skin was drawing too much light and bringing imbalance to the overall exposure. The second thing I wanted to do was raise the exposure on the boy’s face so that his long eyelashes and intense expression would draw the eye a bit more. Exposure has a TON of great B&W Film-look presets, from vintage to modern and slick. First, to convert the image into a nostalgic black and white with heavier grain and strong contrast. There were three things I knew I needed to accomplish. I right clicked the cropped image and selected “Edit In” then highlighted “Exposure (version)”. For this tutorial, however, Photoshop is unnecessary as Exposure works equally well launched out of Lightroom or as a standalone product.
I typically prefer to launch ASE from Photoshop as it maintains the option to mask and layer.
And there is nothing like Alien Skin Exposure to make thatkind of magic happen. As soon as I saw that, my mind made the connection between the vintage cap and the vintage experience of a boy being excited over a frog – nostalgia! I knew the processing needed to match the visual experience to help to transport the viewer to another time and place. There is a very important visual cue here, and that is the somewhat “retro” cap that the boy is wearing. My most difficult decision was regarding where to cut off the hand I didn’t want that to be distracting. You can see here that I’ve worked at producing a “rule of thirds” connection with the frog at one juncture and the boy’s eyes at the other. I prefer to do my cropping in Adobe Lightroom for the most part I start there and always return there in the end. The hand of the guide features too prominently, his watch is distracting, there is too much of his clothing and arm (the lightness draws the eye), and even the hands of the little boy are extraneous to the most important connection – the tension between the frog and the little boy’s eyes. In this case, however, 300mm did not frame as tightly as what I wanted. It is one of my favorite travel combos because it is reasonably compact and versatile. I was across the pond with a Canon EOS 6D body and a Canon EF 70-300mm f/4-5.6L IS lens.
One of my son’s classmates came in close to see with an “ohhhh” on his lips. When one was caught, he held it up in his hands for the kids to see. The guide had led the children down to a little pond and allowed them to use nets to try to catch the frogs in it. I was recently on a class trip with my youngest son when I saw a perfect photographic opportunity. Today’s article is how you can use Exposure to help you leverage nostalgia to add impact, artfulness, and even commercial appeal to your images.
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It might be a smell that takes you back to Grandma’s kitchen, an old movie poster that evokes some warm and fuzzy memories, or a song that transports you to a special moment crystalized in your memory. It’s an odd word when you stop and look at it, but also a word that impacts us all.
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